Jason Ā. Josephson-Storm. The Myth of Disenchantment: Magic, Modernity, and the Birth of the Human Sciences; Chicago: University of Chicago Press, 2017; xiv + 411 pp. $96.00 (cloth), ISBN 978-0-226-40322-9; $32.00 (paperback), ISBN 978-0-226-40336-6. by Andreas Sommer If recent surveys of belief in magic are accurate, there is a good chance that you either hold some variant of these beliefs yourself, or that you may be puzzled by some otherwise secular-minded colleague, friend, or family member who does. Jason Ā. Josephson-Storm might not be a believer in spirits himself, but reveals toward the end of this remarkable book a significant factor in his choice of becoming a religious scholar: his grandmother Felicitas Goodman, the noted anthropologist who caused quite a stir when she openly confessed her commitments to shamanism. An expert of East Asian religions, Josephson-Storm’s previous cross-cultural studies have certainly prepared him well to tackle vexing questions regarding the Western occult. But it is perhaps especially owing to a
deep respect for his heretical ancestor that The Myth of Disenchantment is marked by a refreshingly even-handed approach which neither mocks nor advocates unorthodox beliefs. Instead, Josephson-Storm makes a bold and sincere effort to come to grips with hidden continuities of magic in often surprising places, and the persistence of Western normative assertions of the disenchantment of the world as the flip-side of that puzzle. Regarding the latter issue, the book can be considered a historical test of the actual adherence to basic naturalistic proscriptions in the humanities and human sciences. After all, as Josephson-Storm reminds us, Max Weber’s famous verdict of disenchantment is often misunderstood as motivated by a normative agenda itself. The introduction to the book formulates a fruitful principal method and rationale: to “investigate the least likely people – the very theorists of modernity as disenchantment – and show how they worked out various insights inside an occult context, in a social world overflowing with spirits and…