Interview: Liana Glew on psychiatric paperwork

Liana Glew is this year’s co-winner of the History of the Human Sciences Early Career Essay Prize. We spoke to her about her research and her winning essay ‘Documenting insanity: Paperwork and patient narratives in psychiatric history’.

HHS: First of all, congratulations on winning the History of the Human Sciences Early Career Essay Prize for your essay ‘Documenting insanity: Paperwork and patient narratives in psychiatric history’. To begin I wonder if you could briefly introduce and summarise your essay and say a little about what inspired you to write it.

Liana Glew: Thank you for the honour of the prize. The essay examines paperwork from US psychiatric hospitals in the late 19th and early 20th centuries. My purpose in this examination is to develop methods of reading that center patient agency and disability identity. The inspirations for piece were twofold. Firstly, it was inspired by a trip to the Oregon State Archives where they’ve done a really beautiful and careful job archiving this challenging history. That’s where a lot of the the material comes from. Second, it was inspired by a graduate seminar taught by Ebony Coletu, which is where I first started thinking critically about bureaucracy and paperwork.

HHS: Before I ask more about the piece itself I wonder if you could briefly talk about your PhD thesis project and how this article relates to your research more broadly?

LG: The article represents the third chapter of the dissertation, edited to stand on its own. Each chapter covers one genre of text about life inside asylums in the 19th and 20th century. So the first chapter is about fiction, the second about memoir-exposes which is a sort of hybrid genre that I’ve identified to talk about the journalistic and memoir pieces coming out around that time about life in an asylum. This third chapter covers the same paperwork material as this essay, then the fourth chapter is on archival patient writing. I’m taking writing to be a really big category, so it includes different types of artistic expression, house organs, personal journals, letters, and more.

HHS: Your essay discusses medical paperwork –what is distinctive about this kind of medical text? Does it make sense to talk about paperwork in terms of genre?

I think it does, yes. I think we’re used to looking through paperwork to get to the content of it and we don’t see the form itself. And so, by framing paperwork as a type of narrative just like other types of narratives, by placing it alongside these other genres, I think we are able to see some of the mechanisms of power at work inside these bureaucracies in a way that would be almost invisible if we weren’t taking the time to stop and look at the writing of paperwork as a genre of writing.

HHS: To rephrase a question you ask in your introduction, how did you go about reading these kinds of documents ‘while centering patients’ agency’? In what ways does paperwork repress  agency?

LG: To start, I think I would define that term patient agency as a person’s power to make decisions about their treatment and to control the stories told about them during the course of their treatment and after. I specifically chose the word agency, rather than something like independence, taking a cue from disability scholars. Sometimes decision-making happens in conversation or in groups, but I wanted to honour the person’s desires and political drives and needs, etc. The type of paperwork I’m looking at often frames a person’s narrative as evidence of ‘madness’ – madness or insanity are the terms they would use – rather than as a valid representation of what they were experiencing. When a patient spoke, the only time their words would end up in that paperwork was often to prove that they were mad. So as a narrative tool, paperwork really subsumes patient agency within its grasp.

HHS: In discussion of mediation and agency in relation to these documents where or how do you position yourself as a historian?

LG: I’m doing my PhD in English Department—even though this project is historically situated, narrative is my primary lens. As I’m developing these methods for reading, I try to be very aware of my own positionality and follow scholars like Gail Hornstein by leaving room for a diversity of madness narratives. I’m constantly checking myself to make sure that I’m not, for example, just replacing a pro-psychiatry narrative with an anti-psychiatry narrative. I’m trying to create these methods for reading that can encompass a really broad array of lived experience and while I’m doing this, I’m also noticing the roles of narratives, stigma, disability, etc, in how we understand history.

HHS: Why were you particularly interested in hospitals built according to Thomas Story Kirkbride’s architectural plans for psychiatric institutions?

On the surface level, they had a more unified and formalized record keeping practice so it was easier to find some of these archives. Although they were still not especially easy to find, as many of them have been destroyed, lost, or taken up by private collectors. On a more theoretical level, I’m interested in how Kirkbride’s vision for architectural design parallels the way that administrators fashion their own role within this bureaucracy. Kirkbride saw very little distinction between architectural design and therapeutic practice so he thought about how each design element would reflect or influence the humane treatment that he hoped patients would receive. Once the construction of the hospitals were set in motion by the Kirkbride Plan, they were set in the context of eugenic America and became sites of overcrowding and abuse. I believe that administrators’ bureaucratic moves demonstrated and reflected the sort of underlying punitive or eugenic ideology of the hospital, just as Kirkbride’s design reflected his underlying utopian vision of the hospital. I think there’s some some parallel work happening there.

HHS: What was the value of Ann Laura Stoler’s injunction to read ‘along the archive grain’ for your project?

LG: Stoler’s work for me was a really good starting place for working with this material because it teaches us to see and notice how groups and power constructed narrative, as well as the real life effects that those narratives can have on the people experiencing life in the hospital. Stoler provides a starting point, the first place that I go before developing the argument and methods further. Put altogether I think the methods more readily reflect

Marisa J. Fuentes’s approach of reading along the bias grain. Not to overcomplicate the metaphors here, but just as Stoler moves along the archival grain which involves following wood grain, Fuentes talks about cutting fabric on the bias, which makes it stretch. My examination of paperwork shows where these narratives stretch—what’s missing, where patients push back against the institutional narrative, etc. Stoler’s work is a good starting point, but then I move out towards this more elastic understanding of the archive.

You describe finding some empty forms in the archive that struck you as significant for identifying the ‘archival grain’ – how so?

LG: That’s an anecdote I go to because it was one of the first times I started realizing how we’re trained to think about paperwork. I was working on a really tight schedule in an archive and I had this really thick folder of paperwork that I had brought to the desk. I worked with this really wonderful, helpful archivist who scanned the documents for me; I came back a few hours later and I realized she had only scanned about half of the papers. She said she didn’t scan the others because they were “blank.” And this led to such a generative conversation between the two of us in realizing that we are trained to see forms as blank, even when they contain plenty of text. It was this moment where it clicked for me that this is something that’s really worth looking at and something that we’re so trained to see as invisible.

HHS: What key historical shifts in psychiatry were evident from studying these documents?

LG: I’m hesitant to make broad claims about psychiatry as a whole, because my access to archives has been limited to the US and limited to really two or three hospitals. But I have noticed within that scope a shift more towards family history, so in the late 19th century, a lot of these forms were more about the person’s individual history: when they started exhibiting behaviours that were non-normative, etc. And then the paperwork that I’m looking at around the 1920s starts moving towards asking more questions about family history. The other thing that I noticed was a shift in where authority was located in the intake process, the process of a patient being admitted into the hospital. Around the 19th century, so many of these forms just reference the fact that a physician has done an exam on this patient behind closed doors, that the physician declares this patient is insane and that they should be hospitalized, and so the reader of the form is supposed to just trust the doctors’ authority. In the 20th century, these intake forms went from being about three pages to about ten pages. A community member or a friend (whoever brought the patient to the hospital that day) was expected to fill out the form and provide a detailed family history. The authority started residing in the bureaucratic process itself rather than in the individual physician.

How does this essay bring together approaches from disability studies and medical humanties?

I think they work together. In this essay in particular I’m interested in some questions borrowed from medical humanities, such as how medical practices operate, how decisions are made at the top, how power flows, how power operates in doctor-patient encounters etc. But as someone who has come to this from the perspective of disability studies, I feel that we can’t answer those questions without also answering questions about how one self identifies with disability or doesn’t, how stigma and ableism operate in these hospitals and how we can centre the lived experiences of disabled people. These questions, for me, are are part and parcel, they really can’t be separated. We can’t answer the questions about how bureaucracy operates without answering questions about the effects on people’s lived experiences.

HHS: How do you go about disentangling different ‘layers of voices’ in these documents?

It’s often a really complicated process. I tried to be transparent about the ambiguity, about the impossibilities of disentangling some of those voices when I’m writing about the documents.

I work with one document, for example, that’s just called ‘Case notes continued’. It’s typed up but it’s completely unclear to me as a 21st century reader whether this was dictated by a physician to another worker to type up after interviewing a patient, if some other worker in the hospital read the patient’s file and then summarized it in this type of document, or something else. I don’t know how this document came to be or what the process behind it was. I don’t know whose voice is leading it, but it’s written in this almost omniscient scientific voice. I think that the ambiguity builds that scientific authority so that it reads not as the voice of an individual, but as the voice of the hospital or the voice of science. The patient’s voice is buried really, really deep in there. In this particular document, they say that the patient claims that her husband is abusive, just as she claims to hear the voice of God; these claims are immediately followed by a diagnosis of paranoia. So, as I said before, her voice just becomes evidence of her madness. This is significant because her voice is completely subsumed by this medical narrative. I think noticing those ambiguities and the work of those ambiguities is important.

HHS: Could you say more about Mrs H’s story and what seemed significant or intriguing about it?

LG: This is a true story. It is both the heart of the essay and the thing that I was most hesitant to include. The case file that I was just referencing is actually hers—her husband brought her to the Oregon State Hospital. The first forms that we see are filled out by the husband and by the doctor, and they declare that she’s heard the voice of God, that she has religious insanity etc. And then, in that case notes file we get this little glimmer where she says, ‘no my husband is abusive I shouldn’t be here’. But then that becomes evidence of her paranoia. She was there for about a month or two before the hospital received a petition signed by 150 of her friends, church members, community members, etc. These signatures attested to her sanity and to the fact that her husband is an awful abusive man.

What I can glean from the case file – there are a few carbon copies of letters that the doctor sent after receiving this petition to the judge, to the husband, and to the friends of this patient – is that the doctor came to believe her story. He sent her home into the care of friends and he told her husband he should have nothing to do with her anymore. It’s a really moving story.  It’s triumphant, it’s this example of community power, of people coming together and achieving this thing. But it also is in no way representative of most of these files, and so I was hesitant to include it because it’s so spectacular and I didn’t want it to be distracting. I think that’s the limit of case studies, but I think it’s also important to untangle some of the narrative voices in a story like this. It’s intriguing, it’s captivating, it’s triumphant and it’s also a little bit distracting from the patients who came to the hospital but whose voices don’t seem to bubble up in their paperwork nearly as much as Mrs H’s. Her story is important and it’s also challenging because I want to be very careful not to let it represent the whole of people’s experiences in these hospitals.

HHS: How do you define ‘archival excess’?

Archival access is the third mode of reading that I get to at the very end. Other people have used this phrase before but not quite in this context. I’m using it to reference how material spills out over these prescribed bureaucratic boxes. One example is marginalia. I have another example in the essay of a discharge notice that’s written on an edge of a piece of paper, it seems a doctor ripped it off and said, ‘if this woman’s fit to go home then send her home, if not keep her here’. That’s all it says, and that was her discharge notice. This sort of haphazard ephemera I think of as archival access. It could also be something like a patient’s answer to a question that the form didn’t ask, but the patient thought was important information to convey at the bottom of the form. I think archival access is one of those windows into seeing the form as a genre and as a piece of writing. It helps show the limitations of the form, what story that hospital is trying to tell and what story the patient felt was important to tell back. I find it a useful tool for reading.

HHS: Is there something specific about working with the archives of psychiatric institutions that might provide insights into working in archives more generally?

LG: I went back and forth between wanting to make a claim about disability and archives generally, and these very specific archives. US psychiatric archives tend to have vanished or gone into private collections or been shredded or something else, but there are places like the Oregon State Archive that have have really stewarded this history. But those places are few and far between and I think there’s something to how closely guarded so many of these archives are. I also came up against some challenging ethical questions regarding anonymity; I chose to make all of these forms anonymous in my own writing. That was a choice I made with some hesitation because I’ve seen some really excellent work on the history of disability that deanonymizes these stories to tell stories with names and faces to them. I think that’s important work, but the patients whose stories I’m looking at—stories that have been heavily mediated by paperwork and institutional narratives—never had the option to say if they wanted to be part of this project of destigmatizing mental illness, for example, and so I try to honor that and by making all of these stories anonymous.

But a choice like that is a choice that’s really specific to the archive, and it’s really specific to the history that I’m trying to tell. Psychiatric archives open up a set of questions that are relevant to archiving more generally, but I don’t want to claim any of these these choices, like my choice to anonymize my sources, are a prescription for how all archiving and all archival research should work.

HHS: Your essay explores the ‘structural relationship between bureaucratic institutions and disabled people’ – could this relationship be linked to the distinction you make in your conclusion between ‘spectacular, unsettling, disturbing’ narratives and ‘mundane, undisturbed, and undisturbing’ paperwork?

LG: Absolutely. The sort of spectacular stories, like Mrs H’s triumphant story of getting out of the hospital, are few and far between. More frequently we get stories of institutional violence that are made to seem really mundane and so at the end of the essay I start talking about paperwork that represents the forced sterilization of people who are in these institutions. This paperwork refers to violent murderous eugenic history and practice but the paperwork makes it seem so mundane and so unchallenged. It’s yet another reason to look really closely at this paperwork to see what stories are being told, to see what stories are not being told, and to centre the lived experiences of disabled people when we’re talking about this kind of medical history and practice, because the stakes of the issue can be obscured if we were just reading the story that that paperwork wanted to tell us.

Liana Kathleen Glew is a PhD candidate in English at Penn State University where she teaches writing and an Introduction to Disability Studies course. Her dissertation, “Ravings: Reading, Writing, and Psychiatry in the American Asylum” examines four genres of texts by and about psychiatric patients in the US between 1860 and 1940: fiction, memoir-exposés, paperwork, and archival patient writing. Her work can also be found in J19: The Journal of Nineteenth-Century Americanists and the C19 Podcast.

Interview conducted by Hannah Proctor

Interview: What do we want? Simon Torracinta on Edward Tolman’s drive theory of wants

Simon Torracinta, PhD candidate in the History of Science and Medicine at Yale, is this year’s co-winner of the History of the Human Sciences Early Career Essay Prize. We spoke to him about his research and his winning essay ‘Maps of desire: Edward Tolman’s Drive Theory of Wants’.

HHS: To begin I wonder if you could briefly introduce Edward Tolman and say a little about what inspired you to write about him?  

ST: Edward Tolman was an American psychologist who worked mostly in the 1920s to 1950s, and spent most of his career at the University of Berkeley (their psychology building was named ‘Tolman Hall’ in his honour until it was demolished in 2019). He was a member of the so-called ‘neo-behaviourist’ generation, the cohort of psychologists, with figures like Clark Hull and B.F. Skinner, who took up the banner of behaviourism in the middle of the 20th century. They developed it into a robust research framework and succeeded in making it the dominant experimental paradigm – especially in the United States –  for several decades.

I was initially drawn to Tolman’s work because of his particularly explicit theorization of drives. But I was surprised to find that, although he was one of the most influential psychologists of his day and he’s still cited in neuroscience research today, he has mostly been neglected by historians, besides the excellent biography by psychologist David Carroll. But as I hope readers of the article will see, much of his work speaks to core concerns in the history of the human sciences. Although Tolman was sincerely committed to behaviourism as an epistemological framework, he was consistently drawn to phenomena – cognition, purpose, desire – that pushed against the limits of that framework, which produces some really fascinating tensions.

HHS: Before I ask more about the article itself, I wonder if you could briefly talk about your PhD thesis project and how this article relates to your research more broadly?

ST: My broader dissertation is about wants and desires as objects of the human sciences in the late 19th through the mid-20th century, particularly in disciplines like economics and psychology.

Historically in the early modern human and moral sciences there was a lively discussion around the springs of action, so to speak, in which economic, psychological, and anthropological concerns all spoke to each other. For Adam Smith, to take a classic example, the Wealth of Nations and the Theory of Moral Sentiments were hardly a separate enterprise. And scientific writing on the passions, appetites, and desires continued late into the 19th century.

But my contention is that, as the professional disciplines emerged and introspection retreated as an epistemologically valid form of investigation, it was replaced by methods that looked to behaviour, whether found in experiments or prices or anything else, as the primary evidence base for explaining motivation. This led to what we might call an ‘emptying out’ of interiority, with wants defined along increasingly tautological or teleological lines, and a growing emphasis on calculative rationality above all else. I try to trace these developments across several fields through the decline of faculty psychology, the marginal revolution, and the emergence of behaviourism, neoclassicism, and eventually rational choice – and to some extent through dissidents like the neo-Freudians. So Tolman’s work is at the midpoint of these trends.

HHS: How did Tolman define ‘wants’? Are wants distinct from desires or needs, for example?

ST: Tolman had a very expansive definition of wants, which he understood to include all motives of behaviour, including basic drives like hunger and thirst, for instance, but also more ‘sophisticated’ forms of motivation that we might call ‘desires’ in ordinary language. But that was part of his aim to unite all human and animal motivation in a single theoretical model, in which rat experiments could be understood to say something important about human behaviour.

Of course, this was an idiosyncratic definition, and throughout the dissertation I show how other scientists tried to bound and delineate these concepts. The way the terms are defined and set in relation to each other can tell you a lot about a project, and certainly the boundary drawn between ‘basic’ needs and more subjective ‘wants’ is always a political one. Many 19th-century psychologists, for instance, delineated categories of higher ‘desires’ or ‘sentiments’ that supposedly distinguished civilized humans from lower animals (or races). Economists, meanwhile, moved from an explicit discussion of pleasure to more neutral, object-oriented terms like utility and want, and eventually dropped that vocabulary altogether in the turn to ‘revealed preference.’

HHS: How, according to Tolman, are human wants expressed through behaviour?

ST: Since Tolman was operating under a behaviourist paradigm that prohibited appeals to ‘unverifiable’ mental states, his theory of wants couldn’t begin by considering the experience of desire, for example. On his account that would be based on unreliable and subjective testimony. So instead, wants have to be explained through a stimulus-response model, or input from the world and output in behaviour. He tried to devise experiments that would help elucidate the mechanisms connecting a given situation – prototypically, a rat in a maze – to the behaviour it produced. That led him to list of basic drives that, he thought, motivated all behaviour, rat and human – or, as he put it, to his theory of wants. A fairly complex set of mechanisms linked distinctive and specific motivations – wanting to be a military officer, for example – to a set of underlying, basic drives.

HHS: Why were experiments with rats so central to his insights into human behaviour?

ST: Rats were really important to Tolman – he even dedicated one his books to Mus norvegicus albinus – the albino lab rat! Rat experiments exploded in popularity in the early 20th century, as Rebecca Lemov and others have shown, because they promised a kind of assembly line for attacking the major problems in psychology. This was especially compelling within a behaviourist structure of explanation that tended to think about all organisms in the same way. Rats were and are relatively cheap to breed and keep, and they are mostly powerless to resist being subjected to an endless battery of tests!

The maze in particular became very important by the 1930s, because it was a uniquely adaptable tool for manipulating and observing rat behaviour. But whether you were trying to research perception or learning or anything else, you almost always needed some kind of food or other reward to motivate the rat to traverse the maze in the first place – which is what got Tolman so interested in wants. I should add that, for Tolman, it was a good thing that a rat couldn’t introspect – that it couldn’t give you a subjective account of its own experience, unlike a human being. For him that meant its behaviour was less open to misinterpretation, and you had to construct a theory of wants from outward evidence alone.

HHS: Why did Tolman have faith in behaviourism as a ‘tool of emancipation’? In what ways do his political beliefs challenge conventional assumptions about behaviourism?

ST: This was one of the real surprises in my research. Typically when we think of behaviourism and its applications today, it has a somewhat sinister resonance, and its promises of behaviour modification seem to license authoritarian forms of ‘mind control.’ I mean, just look at the controversy over algorithms and behaviour manipulation on social media platforms today. The big fear there is that artificial platform environments are producing ‘unnatural’ behaviour or affect – which echoes a lot of mid-century popular reactions to behaviourist ideas.

As Danielle Carr [the previous winner of the History of the Human Sciences essay prize] has suggested, Cold War liberal intellectuals often felt behaviourism was a dehumanizing, totalitarian approach, which helped fuel the ‘cognitivist’ reaction in the 1960s. To some extent, these tropes have been reproduced in the scholarship on the history of behaviourism – though of course, certain behaviourists did fit the stereotype.

But Tolman is a particularly interesting character. He was a quiet radical, raised in a Quaker family and a lifelong pacifist. Although he didn’t serve, he had a nervous breakdown during World War I, and spoke of a consistent horror and aversion at the idea of war itself. He was actively involved in attempts to connect psychology to social issues in the Depression, and took a principled stance on loyalty oaths in the 1950s that briefly got him fired from Berkeley. For him, behaviourism held out the promise of altering the environmental determinants of behaviour in order to produce a more healthy and peaceful society. Now, some of this may sound like the disquieting ‘utopia’ of B.F. Skinner’s Walden Two, but what’s intriguing is that Tolman was more interested in satisfying basic drives at a larger scale through education and redistribution, and even hinted his vision looked something like socialism.

HHS: Where do studies of aggression fit into this history? How do theories of aggression relate to understandings of drives?

I take this from the work of Gregg Mitman and others, but aggression became a key object of study across many disciplines, from psychology to anthropology to animal ethology, in the 1940s, as scientists sought to make sense of World War II. Psychologists at the time, Tolman included, were particularly taken by the so-called Dollard-Miller or ‘frustration-aggression’ hypothesis, which created an input-output model out of Freudian ideas by suggesting that aggression could be explained by frustration. This really became ubiquitous in the postwar period, with social scientists explaining workplace problems or teenage delinquency or anything else by appeal to frustration-aggression.

But the idea was particularly important to Tolman because it allowed him to link his interest in wants to the problem of war as he saw it. If aggression was explained by frustration, then frustration was explained by misdirected drives, or ‘bad’ wants. His book Drives Toward War, published in 1942, ended up suggesting that the basic drives could be satisfied or redirected to avoid the frustrations that culminated in war.

HHS: What is the significance of the mechanical metaphor from which the term ‘drive’ derives?

ST: ‘Drive’ has a complex genealogy within psychology, since it can be traced both to the German idea of Trieb – suggesting an urge or impulse – and to the ‘drive system’ of a motor. But American psychologists fairly consistently used the latter analogy, which I think is telling in itself. The metaphor suggested that human action could be explained much like a motor, with a drive system channelling energy into particular types of motion.

Of course, using machine analogies for the human body goes back to Descartes at least, but what is significant is how the metaphor shifts as the machine of reference changes. As Canguilhem suggests, early modern thinkers like Descartes and La Mettrie were thinking of regular mechanical devices like clocks, but the motor is really something quite different. The motor created a distinctively thermodynamic model of human behaviour, so to speak. This was what made the frustration-aggression so compelling: the drives were steady conduits of energy that required constant satisfaction, and their frustration necessitated the discharge of that energy elsewhere – that is, through aggressive behaviour.

I should add that even the concept of ‘motivation’ itself comes out of the interest in ‘motive power’ produced by the development of steam engines. Add to that that behaviourism first emerged at the peak of the Second Industrial Revolution alongside bodies of thought like scientific management, and we really see how significant the social and technological context was.

HHS: To stay on the question of metaphors, you quote Tolman as saying that a brain is ‘far more like a map control room than it is like an old-fashioned telephone exchange’ – what did he mean by that and how did it relate to his theorisation of cognitive maps? Were the metaphors he employed also reflected in his ‘striking visual iconography’?

ST: Right, yes, again the metaphors are so important here! The telephone exchange is intended to invoke the stimulus-response model embraced by Tolman’s behaviourist colleagues: line goes in, line goes out. To the extent there is a mental structure, it’s simply akin to the wires connecting incoming to outgoing connections. Tolman became increasingly dissatisfied with the narrowness of this model, which he felt couldn’t explain forms of ‘spatial’ and ‘latent’ learning by rats that took place in the absence of any obvious reward. His metaphor of the map control room suggests that a mental representation of the world is built up in the brain over time: this is his famous theory of the cognitive map, which is still influential in neuroscience today.

But in the article I play with the metaphor a bit further to suggest that, if the motor had become the model of behaviour, then then Tolman’s theory of wants was intended to trace the ‘roadmaps’ through which a rat or human navigated the world. Successful or failed attempts at satisfying the drives altered the structure of wants over time – a phenomenon Tolman tried to capture in his fairly maze-like ‘maps’ of the mechanisms of want.

I don’t get into this at length in the article, but it’s also interesting to note the unexpected ways in which the concept of cognitive maps travelled since it was coined by Tolman in 1948. It gets picked up almost immediately as a key metaphor in economist Friedrich Hayek’s foray into psychology, The Sensory Order in 1952, it provides the general framework for urban planner Kevin Lynch’s classic The Image of the City in 1960, and the Marxist literary scholar Fredric Jameson even adopts it as a tool for critical theory in 1988, with wide uptake in the humanities after that. But by this point its origins with the albino rat have vanished.

HHS: You liken Tolman’s understanding of humans’ hidden motivations to a psychoanalytic understanding of the unconscious – and he also used terms like ‘libido’ and ‘cathexis’ – but how was his understanding of mental processes distinct from a Freudian one?   

ST: Freud was crucial to Tolman in ways that I hadn’t anticipated at the outset. Tolman’s archives show he was regularly teaching American neo-Freudians like Karen Horney and Abram Kardiner, and of course his technical vocabulary was filled with psychoanalytic concepts. Now some of this was part of the general trend of behaviourism at mid-century, which mined Freud’s work for ideas to insert, in a rather mechanical fashion, into its framework. But Tolman’s engagement with Freud is especially interesting because of his research interests in want and desire – and with motivations Freud would have attributed to the unconscious.

In a way, we might say Tolman tried to create a systematic model of Freud’s theory of unconscious drives that specified (and literally mapped out) each link in the causal chain. But as I argue this had a quixotic character to it, which we can see Tolman’s totally weird and complex illustrations. There’s really a paradox in the way Tolman engaged with Freud: he was clearly drawn to the insights of psychoanalysis into unconscious motivation, but the behaviourist ban on introspection meant that subjective testimony gathered together by the analyst in a ‘case’ was totally out of bounds – which was of course at the core of Freud’s method. Once you throw that out there’s not a lot left.

HHS: What were the therapeutic implications of Tolman’s theories and how did he see the role of psychologists in fostering world peace?

ST: Tolman thought that his theory of wants had implications for psychotherapy. If frustration was the outcome of misdirected drives, or a bad roadmap, so to speak, then a therapeutic intervention might hope to ‘correct’ this roadmap. I was struck by the connections between this idea and the dominant approach of cognitive-behavioural therapy today, which similarly aims to address what one CBT pioneer, Aaron Beck, called ‘maladaptive ideations.’ And of course as the name itself suggests, behaviourism was an important tributary into the development of CBT.

More broadly, Tolman thought that his theory of wants could be applied at a much larger scale to promote the healthy satisfaction of drives – thereby holding out the possibility of constructing a more lasting peace. His famous ‘Cognitive Maps’ paper even finishes with a little-cited plea to the ‘child-trainers and the world-planners of the future’ to heed his advice. Looking back, the idea of or even the phrase ‘world peace’ strikes us as rather quaint, but it was certainly an understandable concern in the 1940s. But I think this single leap from the mental to the global shows up the limitations of the thin universality of behaviourist models – which could be applied to practically any situation, but ultimately without much concreteness or a great deal of insight.

HHS: There are various baffling-looking diagrams from Tolman’s books reproduced in the article and you suggest that something about his ‘abstruse and byzantine representations’ gestures towards the difficulty or absurdity of rendering elusive things like human wants in scientific terms. It made me think of how Freud often dismisses his own diagrams as insufficient or inaccurate because they can’t capture the weirdness of the unconscious. But is there something in that impossibility, in the strangeness and convolution of the attempts to create a topography of the mind, that’s revealing in its own right?

ST: Absolutely! I wanted to include several of Tolman’s illustrations because words really do not capture the strangeness – and I hope readers will experience that for themselves.

Sometimes I joke that I embarked on this dissertation because of my own occasional difficulty in sorting out my personal motivations, in figuring out exactly what or why I want. So I find the strangeness in Tolman’s attempts revealing and maybe even comforting in that regard. On the other hand, abandoning want and desire as scientific objects altogether had heavy costs: just look at the incapacity of much of the social sciences today, whose models of rationality falter in accounting for the upsurge of feelings of ressentiment or alienation that are wreaking havoc across the globe.

Your question also makes me think of William James, a hero of Tolman’s and also part of the dissertation, who famously presented a quasi-determinist account of the will in his Principles of Psychology, but then seemed to revel in the sheer contingency of unconscious motivations in his Varieties of Religious Experience ten years later – a work tellingly influenced by his own experiences. As James would have been the first to admit, the strange and the unexpected are also part of the story.

Finally I want to suggest that despite its failures, Tolman’s work might still have lessons for us. I agree with affect theorists that there’s something politically useful about recognizing the embeddedness of desire within the infrastructure of our lives – and Tolman recognized this too. Today, one of the perpetual injunctions of our culture is simply to ‘be yourself’ – as if that had some obvious, stable content. Setting to one side whatever one thinks of their project overall, the behaviourists would have laughed that idea out of the room.

Interview conducted by Hannah Proctor.

History of the Human Sciences Early Career Prize – winners!

Congratulations to the joint winners of this year’s Early Career Prize, Liana Glew (Penn State) for the essay ‘Documenting insanity: Paperwork and patient narratives in psychiatric history’ and Simon Torracinta (Yale) for the essay ‘Maps of desire: Edward Tolman’s Drive Theory of Wants’. Congratulations also to Erik Baker (Harvard) who received a commendation for the essay ‘The ultimate think tank: The rise of the Santa Fe Institute Libertarian’.

All three scholars will be invited to submit their pieces for publication in the journal and will be interviewed about their work for the website soon.

Thank you to everyone who submitted essays for consideration for the prize – the editors were very impressed by the high quality of submissions and inspired by the new research early career scholars are currently conducting.

‘Mothering in the Frame’ – an interview with Katie Joice

Katie Joice (Birkbeck) was awarded a special commendation in the History of the Human Sciences’ Early Career Prize. We spoke to her about her essay ‘Mothering in the Frame: cinematic microanalysis and the pathogenic mother, 1945-67’, which will be published in a forthcoming issue of the journal.

HHS: Congratulations on your History of the Human Sciences Early Career Essay Prize commendation for your essay ‘Mothering in the Frame. To begin with I wonder if you could briefly introduce and summarise your essay and say a little about what inspired you to write it.

Katie Joice: Thank you. The essay introduces readers to the different ways in which film was used by anthropologists, psychiatrists and psychoanalysts to study mother infant interaction in the post-war period. Historians have recently become interested in the concept of the pathogenic mother, but my specific focus is on how cinematic frame analysis, or microanalysis, enabled clinicians to classify and quantify mother-love. The essay begins with a discussion of how mothers’ ‘small behaviours’, the everyday, repetitive acts that no-one notices, coalesce into a new and influential causal model for mental illness. I then go on to discuss four case studies: Margaret Mead’s work on child-rearing in Bali, Ray Birdwhistell’s body language research, Rene Spitz’s studies of institutionalised babies, and Sylvia Brody’s classification of mothering styles. All four of them used forms of microanalysis, but in different styles, and for their own ends.

In terms of inspiration, I got interested in films about mothers and babies when I first joined the Hidden Persuaders project at Birkbeck. I was researching the visual history of psychosis and came across Spitz’s film, Grief, about the devastating effects of maternal deprivation. At that time memories of my own son’s infancy were fresh in my mind, and I’d already done a lot of thinking about the invisible work that goes into creating subjects or ‘making people’. I realised that our humanity is not a given; it’s something that is constantly being constructed in early childhood, usually by women.

HHS: Would you be able to say a little about your PhD thesis project and situate this essay in relation to your research more broadly?

KJ: The title of my PhD is The Empty Frame: Child Analysis and its Visual Cultures, 1932-67. It examines the visual methodologies that were used in the post-war period to interpret the pre-verbal mind. The first part is on film, and is a much expanded version of this essay. Another part looks at play therapy, particularly the work of psychologist Margaret Lowenfeld. I also discuss the use of art and film in the post-war period to access the mind of children with autism. What I’m most interested in is the cultural history of these methodologies; how the ‘psy’ disciplines became entangled with all sorts of other practices, like film history, art history, philosophy and anthropology.

HHS: You write that ‘In this period, mother-love became a new scientific object, subject to new forms of description and empirical analysis’. How was mothering conceptualised in a distinct way within the social sciences in the post-war period? At the beginning of the essay you state that ‘maternal ‘presence’… became an ontological question for post-war social science’ – could you also expand on that?

KJ:  Anthropology, psychiatry and cybernetics were then enmeshed in ways that’s hard to imagine now. Mothering came to be seen as an origin story for social science, partly because of the continued influence of the Culture and Personality school within anthropology, which claimed that child-rearing techniques form distinctive national characters. Anthropologists like Margaret Mead and Ruth Benedict argued that mothers set certain patterns of behaviour in motion, which were then written into every aspect of that culture. Also of crucial influence within psychiatry was a new psychoanalytic focus on the ‘micro-traumas’ that occurred in the pre-Oedipal stage of childhood. Harry Stack Sullivan in the US, and the English analysts Wilfred Bion and Donald Winnicott were theorists interested in this pre-verbal zone of experience, and its role in triggering psychosis. As the cine-camera became more portable and more accessible to amateurs, film came to offer a new evidential basis for these theories, a means of observing damage as it happened, rather than retrospectively in the therapist’s office.

I think this ‘search for origins’ also chimed with the need for a historical ‘blank slate’ after the war. There was a hope that the calibration of mothering would create a new generation of compassionate and pacifist democratic subjects.

On the question of presence… I’m talking there about how the quality and the reliability of a mother’s responses – actions or messages that might take place in a split second – came to be seen as constitutive, not only of the child’s personality, but also cultural and social habits. Though actually it was mothers’ emotional absence, rather than presence, that became the biggest preoccupation of the thinkers I look at in this essay. The effects of affectlessness, if you like. And the aesthetic and technical questions of how emotional absence might be captured on the screen. I’m intrigued by how these ineffable categories – presence, absence, mother-love, ‘maternal surround’, get translated into codes, scales and statistics.

HHS: Why was film deemed to be the most appropriate medium for capturing the ‘small behaviours’ of the mother? And why was this form of microobservation so central to the analysis of mothering?

KJ: Mother-infant interaction was only one field in which film was being experimented with as a diagnostic and documentary tool in this period. Film was seen more generally as a utopian technology that might reveal the hidden truths of behaviour. It was used extensively within animal studies, psychiatry and cybernetics research, to break behaviour into units which then could be analysed by the researcher, and sometimes used curatively by patients as well. Film could be slowed down, reduced to stills, re-watched and cross-analysed by a number of observers, and could bring the intimacy of conversation or breastfeeding into a lecture hall. And it encouraged particular forms of reflection: Rene Spitz and Sylvia Brody both said that they felt the cameras shielded them from the intensity of the emotions that they were observing. Film also allowed child analysts to think about different qualities of time: fleeting movements could be identified and counted, or particular thresholds in development ratified. A whole childhood could be compressed into a single film. The relationship between the analytic potential of film and the temporalities of early development is what compelled these thinkers.

HHS: Why do you think that the non-verbal was accorded such significance in this period?

KJ: I think it emerged out of the anthropological and psychoanalytic trends that I’ve already mentioned, as well as a new interest within linguistics in the secret codes of gesture and dance. There was a peculiar paradox at work in non-verbal communication research – on the one hand it was anti-humanist, in that it focused on free-floating ‘cybernetic’ codes which moved through an animal-human-machine continuum. But it was also an expression of pan-humanism, of a desire to create a universal behavioural science which transcended language barriers. That desire was fuelled by the tensions of the Cold War. For example, Edward Hall who invented proxemics, theories about how humans use space to communicate, was secretly funded by the CIA. There was a lot of political potential in non-verbal communication research.

HHS: Returning to something you just mentioned, could you say something more about the specific temporalities of early infancy and motherhood and how you see this as relating to the specific temporalities associated with film? Is the temporality of the former as historically contingent as the latter? By which I mean: is there a clash here between something understood to be universal, on the one hand, and a novel technology that ushered in new ways of thinking about or representing time, on the other?

KJ: It’s true that films such as Spitz’s transformed professional and public perceptions of infant experience and infant suffering: the documentary and diagnostic power of the technology enabled people to ‘see’ something that had in fact always been there. We might see this as part of the civilising process, a relatively recent extension of humanity to the pre-verbal child. On the other hand, we can never truly disentangle our biological parameters from environmental influence or our changing norms of selfhood. There is no universal infant. Balinese or American middle-class mothering-styles, like the institutionalisation of babies, are all products of history. What we can say is that practitioners of microanalysis assumed, and still assume today, that in infancy ‘small behaviours’ have potentially enormous effects. So in that sense, the microanalytic method matches the model of mind that is being advanced.

As for the temporalities of motherhood, I think mothers’ experiences were generally brushed under the carpet by these maternalist thinkers. They were much more interested in defending the infant against the mother, rather than delving into the social causes of maternal anguish. But the point I wanted to underline is that someone has to do the imaginative and emotional work of creating subjects. And I think that often scares the hell out of people. It’s something that’s rarely talked about. As a society we talk a lot about the practical problems of childcare, but not the existential ones.

HHS: Your first case study is Margaret Mead and Gregory Bateson’s work in Bali. You claim they were the first to put ‘mothering in the frame’ and argue that their work was foundational for infant psychiatry – could you summarise the significance of their work for the phenomenon you’re analysing?

KJ: Mead and Bateson’s work was funded by an influential interwar funding body called the Committee for Research into Dementia Praecox, which was a pre-war term for schizophrenia.

This committee was looking for big answers to the problem of mental illness and institutionalisation. Mead and Bateson set out to make ambitious claims about what the small behaviours of mothering might mean, arguing that Balinese culture was essentially schizoid, but that it was saved from collective madness by ritual and trance. Mead made tendentious comparisons between the tiny finger movements of Balinese babies or Balinese mothers’ blank expressions, and institutionalised schizophrenics in the West. But the very exuberance of her claims threw down the gauntlet to a generation of researchers and clinicians that were interested in the significance of mothering styles. The books that emerged from their research in Bali, Balinese Character and Growth and Culture were also aesthetically compelling: peculiar juxtapositions of art, gesture, and expressions. Mead was suggesting that academic research could be presented non-discursively as well, that it could rely on a language or grammar of images.

HHS: Your next case study focuses on Ray Birdwhistell – what do you see as the impetus for his attempts to quantify affect and notate emotion through ‘kinesis’? How does this compare to what you describe later in the essay as Sylvia Brody’s ‘Taylorism of mothering’?

KJ: Birdwhistell was an anthropologist who was hugely influenced by linguistics, particularly the work of Edward Sapir. He wanted to reveal a hidden dimension of communication –kinesics or body language, that often ran counter to verbal communication. He created an immensely complex notation system based on the fine slicing of films of interpersonal behaviour. Mothers interested him because like Mead and Bateson he thought that their small behaviours were potentially pathogenic to young children. But he ended up mired in his methodology, splitting cinematic images into ever smaller temporal and spatial units.

In contrast, Sylvia Brody was a practicing psychologist and a pragmatist. She used film to count and evaluate the actions of mothering – such as touching, looking, speaking – with the aim of categorising mothers into a small number of types, some of which were pathogenic and in need of treatment. I use the term ‘Taylorism of mothering’ because efficiency, which we associate with Taylorism, was one of her ideal mother’s qualities. Paradoxically, it’s a model of efficiency that has to be underpinned by right feeling. The observer can count and dissect mothers’ movements, but a mother who who treats feeding mechanically becomes inefficient at satisfying her baby. Like Taylor and Gilbreth’s time and motion studies, the clock is prominent in Brody’s film footage; it splices the action.

HHS: Finally, I was wondering about overlaps between the kinds of social scientific applications of film you’re considering and film’s more artistic uses. I thought, for example, of the artist Maya Deren’s films shot in Haiti and her involvement with Bateson and other anthropologists. In your analysis of Rene Spitz’s films, for example, you discuss the angles from which the films were shot that excluded the institutional context to focus entirely on the child, emphasising this as an aesthetic decision. I was wondering how you think about these more aesthetic questions both in terms of how the films were composed and in terms of your own methodological approach to analysising them and how that relates to you claim in the conclusion that film in these studies became an ‘arbiter of authenticity’.

KJ: As I expand on this essay in my thesis I’ve been asking myself how these films resonate with the visual cultures of their times. And notions of authenticity were central to those visual cultures. This was the time of cinema verité in France, Free Cinema in Britain and Direct Cinema in the US, promising new access to ‘raw’ psychological states and to overlooked aspects of social life. In the course of working on a longer piece on Rene Spitz, I discovered that his film was shown at a New York avant-garde cinema club called Cinema 16, headed by film curator Amos Vogel. Much like Maya Deren, Vogel believed cinema should offer the viewer an altered state or conversion process, rather than entertainment, and Spitz’s film fitted into this manifesto.

What’s interesting about many of these film-makers, like Mead and Bateson, Spitz and also James Robertson in Britain, who made A Two Year Old Goes to Hospital and Young Children in Brief Separation, is that they were ‘auteurs’ in a sense. Their films were artful, singular and idiosyncratic. What happens in the era of Sylvia Brody and Mary Ainsworth is that cinematic studies of mothers and babies become much more laboratory based, and more standardised and static. Conventions emerge and settle over time, but their pre-history is often surprisingly heterogenous.

I’ve also been thinking about how to present my own research in visual form. I am collaborating with my colleague Ian Magor from the Hidden Persuaders project on a short teaching film which incorporates footage from the films discussed here. We’re hoping it will be published on the Hidden Persuaders website in the autumn and act as a visual accompaniment to my essay.

HHS: Thank you so much for taking the time to talk to us.

Interview conducted by Hannah Proctor.

‘Ghastly Marionettes’ – interview with Danielle Judith Zola Carr, winner of History of the Human Sciences’ Early Career Essay Prize

History of the Human Sciences is delighted to announce Danielle Judith Zola Carr (Columbia University) as the winner of the journal’s first Early Career Essay Prize for her essay ‘Ghastly Marionettes and the political metaphysics of cognitive liberalism: Anti-behaviourism, language, and The Origins of Totalitarianism’. Katie Joice (Birkbeck, University of London) was awarded a commendation for her essay ‘Mothering in the Frame: Cinematic Microanalysis and the Pathogenic Mother, 1945-67’. Congratulations to both scholars.

‘Ghastly Marionettes’ was included in our Special Issue on Cybernetics, published in February 2020, guest edited by Stefanos Geroulanos and Leif Weatherby. We spoke to the author about the essay, Hannah Arendt, Cold War liberalism and the place of intellectual history within the history of the human sciences.

HHS: First of all, congratulations on winning the History of the Human Sciences Early Career Essay Prize for your essay ‘Ghastly Marionettes and the political metaphysics of cognitive liberalism: Anti-behaviourism, language, and The Origins of Totalitarianism’. Can you tell us a bit about the piece?

DC: Thank you so much. It was a pleasure to publish with the journal. The essay actually originated as an early 2017 post-Trump piece, when I think everyone was reading The Origins of Totalitarianism. It was my first time reading it, and I was struck by how infused the book is– especially in its last third–with a castigation of the Pavolovian imaginary of the human, and how that imaginary of a human determined by stimulus and response was equivocated with this new Cold War concept of totalitarianism. So I started looking into that realised that nobody seemed to have written about that specifically in relation to Arendt

I think Arendt is a good figure to think with, because she encapsulates this emerging Cold War common sense– what many scholars now are starting to think about as Cold War liberalism. One of the questions in thinking about Cold War political ideology is this: What is this liberalism that happens in the postwar period going into the Cold War and how is it distinct from early twentiety-century liberalism? In the early twentieth century, there is a lot of space for thinking about technocracy, technologies and human engineering in relation to  the Progressive-Era emergence of social science, largely funded by the Rockefeller and Ford Foundation. There are critiques of the idea of engineering the human, but they are coming from the religious right and the labor left, not the liberals. What’s really distinctive about postwar liberalism is that this friendly relationship to social engineering disappears. Suddenly, Cold War liberals are thinking about the human as being something distinct from technology, as a being not determined by the same sort of push-button responses that you can use to control machines.

I thought that that gave an interesting vantage on to a question that is relevant to the history of cybernetics: why did cybernetics fail, while cognitivism was successfully taken up as a scientific movement? Many times, when we are thinking about information theory in the history of science, it’s easy to say that cybernetics is the basis of contemporary information sciences. Cerrtainly in some ways that’s true – particularly if we are thinking about the role of cybernetics in developing information theory and influencing the computerisation of many scientific fields. But equally, there’s something key about cybernetics that fails to take hold. What my essay tries to do is to show that there’s something going on in what we could call Cold War liberalism that makes that political project incompatible with cybernetics, but that makes it form the conditioning ground for cognitivism.

The approach that I take in the essay is part of my overarching method, which is to treat the history of science as intellectual history. The goal is not just to read the history of science alongside intellectual history, but to say we can do intellectual history within the sciences. This makes sense as an approach, because this is a moment when science has been popularised for mass consumption: the cybernetics conferences are being covered by major newspapers, for example, and you have this efflorescence of popular writing in the postwar period as ordinary people become interested in technology. The atomic bomb is this huge moment in American consciousness. You have a spate of high profile technologies that emerged through the infusion of federal funding into the sciences driven by the war. With the rapid ascent of the sciences, suddenly everyone is reading Norbert Weiner’s Cybernetics, and there is an exploding popular market for writing about science. This is also a moment of profound interdisciplinary fusion between the social and physical sciences, as Jamie Cohen-Cole has shown. So Origins of Totalitarianism—and liberal political thought in general—is happening in a moment in which the political thinkers are reading the scientists and the scientists are reading the political thinkers. It makes sense to take an historical approach  which thinks of these groups as literally talking to each other, because they were.

HHS: Before I ask you more about the essay itself I wonder if you could briefly talk about your PhD dissertation project and situate this essay in relation to your research more broadly.

DC: My dissertation is about a weird historical stutter: brain implants for a psychiatric disorder are invented for permanent intercerebral use in humans in the 1950s, then disappear after the 1970s, only to reemerge again in the early 2000s with no reference to their Cold War past. You have to understand, brain stimulation for psychiatric research and treatment was not a fringe technology in the fifties. The people who were working on it were going to conferences with all the other neurophysiologists; they were leaders in the field. This goes on into the 1970s, as people try to find the neurological basis for hunger, sex pleasure, aggression, and so on. As you go into the 1970s, this becomes explicitly political, as people are trying to find things like the neurological basis of race riots. For instance, here in LA, there was a collaboration between the justice department and the neurophysiologists who wanted to start a research centre to find the neurological basis of aggression, which is of course, a racialised aggression. And so in the 1970s, the question of neurological control becomes a political problem. There were literally congressional hearings about this specific technology, which then disappears and then comes back in the early 2000s with no reference to its contested history.

What the PhD thesis asks is this: why is that brain implants for psychiatric states—a technology that was technologically possible since the 1950s– politically impossible, politically incompatible with what we want to think of as liberalism. And why, moreover, is it now compatible with regnant political ideologies of the subject once again? This essay tells a little piece of that story, the part that has to do with what’s happening in the 1950s around ideas of determinism, mechanism, language, and freedom. It lays out how it came to be the case that, by the 1970s, this technology is seen as the limit case of Big Brother government, as technocratic overreach. It was like the apotheosis of what the antipsychiatry movement was going against. In its current revivification, the people behind it are data capitalists and DARPA, the science branch of the US military. And I think that tells us something about how political ideology has accomodated and conditioned itself  to changes in the value production from liberalism to neoliberalism—or however you want to periodize the 1970s to the present.

HHS: When you were introducing the essay, you were talking about this moment where behaviourism is dominant and then briefly challenged by cybernetics, but cybernetics doesn’t really succeed and cognitivism eventually ‘wins’, so to speak. You are clear that Arendt was not (and could not have been) a cognitivist but nonetheless suggest that she could be understood as a kind of proto-cognitivist in some sense.

DC: One of the axes that I wanted to grind is this paper was to more clearly elucidate the relationship between behaviourism and cybernetics. It’s not just that cybernetics goes against behaviourism, displaces it, and wins. It’s that cybernetics tries to replace behaviourism and fails, because it tries to replace the wrong thing– that’s what dooms it. Metaphysically– and this is really an essay about political metaphysics – cybernetics stays in the thrall of what it is about behaviourism that’s going to be nixed by cognitivism. And that’s an metaphysics that does not particularly allow for freedom. Of course, freedom and creativity are the things that dog cybernetics as the problem that it’s going to have to solve in order to be compatible with Cold War liberalism. What cybernetics shares with behaviourism is that it is premised on a metaphysics without transcendence.

Arendt is in many ways a good bellwether for what is shared in common by many postwar liberals. She is specifically saying that you have to have an outside to the world of mechanistic cause and effect; you have to have a space of non-determinism. That “outside” to the ordinary world is where we’re going to locate politics. So for Arendt, that space of the “outside” is going to be language, and language is not going to work mechanistically. I’m not saying that Arendt is a cognitivist, but I am saying that the pieces for cognitivism to succeed are already in place by the 1950s, by the time that she publishes The Origins of Totalitarianism. Cognitivism is taken up because it solves precisely the problems that she’s laying out.

HHS: Almost like it’s waiting in the wings.

DC: Exactly. There are two bad ways of doing the history of scienced. The first one—one that we all already know is wrong, is to look at a period of scientific contestation say, ‘Well, the scientific truth succeeded and the good guys won.’ But the second mistake—one that isn’t as clearly bad but that can be pernicious—is to solely focus on scientific practice, looking at what happens in the lab and identifying alliances between groups of people, instruments and object (blah blah blah, Latour). And I want to say that there is a way to let politics as such back in. It’s not that there is not a determining relation between political ideology and scientific thought, but there is a conditioning role between political ideology and scientific practice. This is especially true when we’re talking about the history of the human sciences that are asking questions like ‘what is the human?’

HHS: From reading your essay it seems that language is central to Arendt’s understanding of freedom. Could you explain why language had this significance for her and how it relates to her valorisation of spontaneity?

DC: As an anthropologist, I know this history best in terms of what happens with structuralism in the midcentury. There’s a move away from physicality and the material—this is the decline of functionalism–  and the rise of the idea that what’s human about the human has very little to do with the body or the physical environment. In French structuralism, particularly French structuralism, the human is comprised of symbolic systems. The subject is comprised in language. So you have a general movement away from the material and into what I call “linguistic idealism.” Arendt is part of that intellectual movement to say that what is human about the human is not tool use, it’s language.

Your question is also picking up on something that I was trying to do, which is to connect this fixation on language as a non-deterministic space with the resurgence of postwar vitalism. For midcentury liberals, there’s something about life, language and the cognitive subject that does not operate according to mechanism. And the fact that it isn’t determined by material laws has a political valence of “good,” basically. Language is key in all of these kinds of different sites as being the place where this political metaphysics is going to ratchet open a metaphysical space for the kind of freedom that’s central to Cold War liberalism.

HHS: What did Arendt mean when she spoke of the ‘psychic life of totalitarianism’? Or would it make more sense to say that she understood totalitarianism as the absence of psychic life or the negation of the psyche? You mention other contemporaneous projects that sought to understand totalitarianism from a psychological perspective – how was The Origins of Totalitarianism distinct from these?

DC: For Arendt, there is no psychic life of totalitarianism because it is the operation of totalitarianism to destroy what she would recognise as the psyche. And the way this idea of the mind as the zone of freedom comes together will be crucial in shaping the next thirty years of political common sense in the United States. Something interesting happens from the fifties to the seventies:  this idea that totalitarianism relies on an evacuated mind—one that is overdetermined by external forces– becomes key what will become the kind of antibureaucratic, proto-libertarian movement, that, by the 1970s becomes Silicon Valley ideology. There’s a wonderful book by Fred Turner called From Counterculture to Cyberculture that charts this development. You can also see it in, for instance, Marcuse’s One Dimensional Man and the critique of the bureaucratised, mass consumptive subject that happens in the Frankfurt School.

What you see happening is a kind of dialectical formation, such that, by the time you get to the seventies, the antipsychiatry movement– which is basically libertarian– is able to make strange bedfellows with the residue of this Cold War liberal discourse. One of the reasons that I picked Arendt to be my interlocutor here is not because she’s saying anything particularly fringy, but that she’s really giving voice to this ambient common sense: to think is the opposite of totalitarianism because for the behaviourist there is no such thing as the thinking subject, there’s no inside, there’s no mind. So the very presence of mind is a political presence.

HHS: I was intrigued by the term the ‘laboratory of behaviourism’ in the essay and wondered if you could define that or talk about how Arendt defined it.

DC: One of the craziest things that shakes out of doing close reading of Origins of Totalitarianism is that when Arendt talks about the camps as being a laboratory, it’s not a metaphor. She’s not saying the camps are like the behaviourist’s laboratory, she’s saying the camps are the behaviourist laboratory. This connects with stuff that will begin happening in psychology in the early 1960s, where people look at, for instance, Stanley Milgram’s experiments and say “You’re not showing us anything about totalitarianism; what you’re doing is totalitarianism.” This is where a lot of what will, by the 1980s, become bioethics begins to come from. It’s the idea that science is not necessarily telling us something about the world occurring elsewhere outside of the lab; politics and the creation of a certain form of human subject is occurring in the laboratory. One of the things I wanted to do was to connect what will become bioethics in the US with Arendt saying that the camps are a laboratory.

HHS: This also made me think of antipsychiatric discourse and its obsession with institutions and the question of how institutions relate to society or are metonyms for society.

DC: Completely! You see an anxiety about the possibility of creating a new form of the human in discourses like, for instance, Goffman’s idea of “total institutions.” This idea that there’s something fundamentally artificial about these institutions and that can be connected with what is happening in the 1920s and 1930s. Rebecca Lemov’s book World as Laboratory is really excellent on this, where you begin from the scientists end to say, we can use the world as a laboratory. We can run experiments on an entire town. The world itself becomes an experiment.

HHS: You cite Arendt discussing Pavlov’s dogs and I wondered if it’s significant for her that this is the dominant paradigm in the Soviet Union.

DC: Definitely. One of the crucial features of The Origin of Totalitarianism– and Cold War liberalism generally– is this formation of the concept of totalitarianism, specifically as a way of making equivalent the Soviets and the Nazis. The revisions to her book made just before it goes to publication show that she quickly added a lot of stuff about the Soviet Union in order to underline this equivocation. You have to remember, Pavlov is one of the leading scientists of the Soviet Union, and one of their claims to an illustrious scientifi heritage, and this matters in the scientific and ideological race with the Soviets.

HHS: At the beginning of this interview you said this originated as a post-Trump essay. I was wondering about parallels or analogies (or indeed the lack of them) that you see between the historical moment you’re analysing and the present moment. You talk about the collapse of liberalism and its postwar resuscitation, but you also have spoken about how Cold War liberalism was distinctive and I wondered how this relates to liberalism today.

DC: I think liberalism has a fundamental contradiction at its core. There is the idea that the body is something that’s common to all humans; this common body is going to be the basis of common knowledge and by implication also freedom and choiceboth epistemic democracy (like science) and political equivalence (like human rights). There’s an idea that a common body equals a common humanity. But the problem is that once you start taking the body seriously as something that can be governed and known through science, the question of whether the human is actually free emerges. The fundamental contradiction of liberalism continually reasserts itself and has to be solved: Foucault calls it the tension between discipline and ideologies of freedom. I want to suggest that this tension relates to the fact that liberalism is a political ideology that is perpetually collapsing.

What we’re seeing in the current moment is yet another implosion of liberalism. It is not identical, to but certainly has features that are in common with, earlier collapses of liberalism. My essay charts one attempt to recover liberalism from an earlier collapse, in this case Cold War liberalism’s attempt to salvage the wreckage of the failure of early 20th century liberalism. We are facing a similar problem today, one that should cause us to seriously reckon with whether liberalism is something we even want to attempt to reconstruct.

You have to hand it to Cold War liberals, at least they understood that something had gone fundamentally wrong, and there was going to have to be a metaphysical recalibration in the heart of what liberalism was in order to fix it. Our problem now is that for current liberals, all their answers to this crisis are nostalgic. Liberals today don’t understand that the crisis is structural, fundamental and integral. They don’t understand that what liberalism is is going to have to be reconstituted. There’s a general failure of liberals to apprehend the magnitude of the failure that Trump represents.

There’s a lot of talk now about QAnon and conspiracy theories and this almost mystical side of American fascism. I think that we have to think about that as being a response to the evacuated technocratic forms of governance that marked liberal governance from Clinton to Obama. It’s a form of governance in which you have this ascent of elite technocratic knowledge that says “There’s no need for politics here, experts will decide everything because the technocrats know best.” And as is always the case with technocracy, it has produced a hunger for politics as such. So I would say that it is possible to make sense of the present moment as a rupture of political theology—that is, of metaphysics.

In my view we have to accept that there is a resurgence of the political and directly incorporate it into our work. What this looks like for historians of the human sciences is not just a fixation on infrastructure studies or actor network theory, both of which are ways of trying to get ‘reality’ back into the humanistic inquiry that has been dominated by exactly the sort of linguistic idealism that I discuss in the paper. There’s no way out except to directly reckon with politics. So, in short, we need to become historical materialists.

HHS: That seems like a great place to conclude – thank you!

(Interview conducted by Hannah Proctor)